PlayHQ’s tone of voice is clear, confident and passionate.
Remember that coach you had for high school footy who was full of great strategies, always knew just how to describe them, and never let ego or competition get in the way of a good game?
Even if you never had a coach like that, you can easily imagine them: explaining large concepts with simple language – passion and purpose fuelling the why in every order they give and each observation they make. They’re a reassuring and inspiring figure.
At a corporate level, PlayHQ speaks with the assertiveness of a fast-growing tech company, whilst evoking the passion of the hundreds of human beings behind the brand.
This extends to the community we service as well – PlayHQ may be data-driven innovators, but we care deeply about the people and experiences at the heart of community sports. Players are more than users, and clubs are more than clients
PlayHQ is the new home of community sport.
This short sentence gives us a rich overview of what PlayHQ represents as a brand.
“New”…
This is innovation and aspiration. PlayHQ is tapping into dormant potential and finding new ways to channel it out into the world.
“Home”…
This evokes familiarity, but also confidence – a home is a place that you know and trust. It’s where you start a new journey from, and where you always return to.
“Community”…
This is ultimately why PlayHQ does what it does. It speaks to a belief in the transformative possibilities of sport, and the magic that happens when people work together.
PlayHQ is an Australian organisation, but as we look to extend into international markets over the coming years, we want to avoid tying our company’s identity to any one culture or nationality. After all, we believe that sport is a universal language.
As PlayHQ’s comms become more tailored to different territories, we can certainly reflect on their unique sporting culture – but this should never extend into cliché or caricature.
PlayHQ comms should be written from the general perspective of someone within the PlayHQ organisation. Avoid “I” and “me”, but refer to “us” or “we”.
With multiple stakeholders, both internal and external, it’s important to keep track of who’s who, and to refer to them accurately. Here are some useful terms:
Consider the context when choosing how to refer to any of these stakeholders. In support articles and internal comms, it makes sense to use “customer” or “user” – but when addressing people directly, these words can come across as corporate and mercantile. Opt for warmer, more human-centric language wherever possible.
Using active voice means leading with the subject of the sentence, and focusing on their action. In the following sentence, the “sporting community” is not the subject carrying out the action (the “lifting up”) – so don’t start with them. Start with the “we”.
PlayHQ’s confidence should be conveyed through the precision of its language; we don’t write in convoluted, flowery sentences. When describing something, try to use one adjective only. And make sure every sentence has a purpose – a why.
Run-on sentences can be difficult to understand, and easily lose their impact. Any time you’re placing a comma in a sentence, ask yourself: could this be a full stop instead? Also be wary of adverbs and words like “just” or “really”. Would your passage read more powerfully without them?
PlayHQ is a company selling a product, but we never want this to overshadow our passion for sport. Discussions around money and pricing should be upfront and honest. Everyone values transparency over spin.
It can be tempting to lapse into stereotypical formulations, especially when creating social or blog posts. Avoid the temptation to start articles with phrases like “Did you know?”, “Fun fact!”, or “Life’s too short to…”
Writing PlayHQ copy lends itself to sports-infused wordplay. In this instance, always err on the side of restraint. If a phrase feels too punny, cheesy or forced, try dialling it back. Also try to avoid cramming multiple sports metaphors into a single sentence.
All PlayHQ comms should champion inclusiveness and acceptance. This means avoiding cultural stereotypes, and thinking twice about any language that could be perceived as exclusionary or ableist.
Try to avoid industry jargon, technical acronyms, or overly-colloquial slang. This can be alienating to people of certain ages, or from different cultural or linguistic backgrounds.
Of course, this depends on context. Pages aimed at admins or organisations could contain terms like “SaaS” and “turnkey”, but you wouldn’t use these words in a passage aimed at players and their parents.
The easiest way to double-check your written content is to read it out loud. PlayHQ is a company of humans, and we want to sound like it. If something sounds awkward or overly formal, find another way to write it. If in doubt – read it out.
Every word you write under the PlayHQ banner is a delicate tonal balancing act. Here’s a visual representation of where the brand’s voice sits on the spectrum of a few different personality traits.
Confident but not cocky
Friendly but not folksy
Clever but not comedic
Energetic but not overbearing
Aspirational but not sentimental
Straightforward but not simplistic
Engaging but not entertaining
Any time you’re setting out to create written copy for PlayHQ, pause for a moment and ask yourself these two questions:
What’s the why?
What is the purpose of your content – even the purpose of an individual sentence? There should be a sense of momentum and intention in everything you write. Sure, that’s a cool new feature. But why does it matter?
Who’s the you?
Know your audience. Being clear about who you’re addressing with your copy will help you tailor the language and tone. Club admins? Association treasurers? Parents of players? It all comes down to empathy – meeting people at their level of engagement and expertise and communicating with them there.
Some rules-of-thumb for writing PlayHQ content across different channels.
The PlayHQ corporate website is dense with information, and its content is intended for a wide range of audiences.
Our EDMs are a bridge to connecting audiences with more long-form content; blog posts, support articles, feature pages, and so on. So keep your introductory paragraph short and snappy, and focus on incentivizing the reader to click through. If you tell them everything there is to know about a new feature right there in the EDM, what reason do they have to click on Find out more?
When it comes to captions on social posts, the shorter the better. Let the content, whatever it may be, do the talking. And if the content you're captioning features text, avoid repeating that text in the caption.
Be proud, but humble. Be excited, but never salesy. Remember, we don’t need to trick or con anybody into believing in the power of PlayHQ’s capabilities – our features speak for themselves. In press comms, be especially wary of cheesy sports metaphors.
Support articles are always going to be a bit dry – there’s no way around that. Their purpose is to convey technical information as simply, precisely and honestly as possible. Avoid any subjective assessments like “it couldn’t be easier”.
Make your text work hand-in-hand with the supplementary images, and use additional formatting liberally; breaking up sentences with dashes, separating steps with chevrons (>) and bolding key features or items can be a huge help to the reader.
At PlayHQ, we write in Australian English at all times. Many programs, word processors, and even smartphones still default to American or British English, so keep an eye out for words like “organization”, “favorite”, “programme” and “color”.
As PlayHQ expands into international markets, this rule should be reconsidered – if, one day, PlayHQ has unique websites, mailing lists, or social accounts for different territories, then the spelling and grammar rules of those territories should be adhered to on an account-by-account basis.
Ampersands should only ever be used as a graphic element within headings and subheadings. They should never be used as a substitute for the word “and” in a sentence.
Use hyphens (-) to create compound words.
Use en dashes (—) to indicate ranges of times or numbers, or to break up a sentence — like this one.
Avoid using the Oxford comma unless its absence creates ambiguity (they can sometimes be necessary when writing out long lists).
Ellipses create unnecessary tension and take up space. They may be appropriate in socials or blog posts – just don’t overuse them.
Exclamation points are a powerful tool, but must be used sparingly. Try to choose the one sentence or remark that really deserves an exclamation point in your article or post – and only ever use one at a time.
A single apostrophe should be applied to plural nouns to make them possessive.
Text.